NIU Women’s Studies
Library Resource List
Media
:

Barker, Martin, ed. The Video Nasties: Freedom and Censorship in the Media. London, UK: Pluto Press, 1984.

Bartos, Rena. The Moving Target: What Every Marketer Should Know About Women. New York: Macmillan, 1982.

Bérubé, Michael and Cary Nelson, eds. Higher Education Under Fire: Politics, Economics, and the Crisis of the Humanities. New York, NY: Routledge, 1995.

Bingham, Sallie. Passion and Prejudice: A Family Memoir. New York: Applause Books, 1989.

Burgin, Victor, et. al. Formations of Pleasure. Boston, MA: Routledge & Kegan Paul, 1983.

Carson, Diane, Linda Dittmar and Janice R. Welsch, eds. Multiple Voices in Feminist Film Criticism. Minneapolis, MN: University of Minnesota Press, 1994.

Copp, David and Susan Wendell, eds. Pornography and Censorship. Buffalo: Prometheus Books, 1983.

Coward, Rosalind. Female Desires: How They Are Sought, Bought, and Packaged. New York: Grove, 1985.

Creekmer, Corey K. Alexander Doty, eds. Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture. Durham: Duke UP, 1995.

Davies, Jude and Carol R. Smith. Gender, Ethnicity and Sexuality in Contemporary American Film. Edinburgh, GB: Keele UP, 1997.

DeLauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington, IN: Indiana UP, 1984.

DeLauretis, Teresa. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington, IN: Indiana UP, 1987.

Doane, Mary Ann. The Desire to Desire: The Woman's Film of the 1940s. Bloomington, IN: Indiana UP, 1987.

Doane, Mary Ann, Patricia Mellencamp and Linda Williams, eds. Re-Vision: Essays in Feminist Film Criticism. Los Angeles, CA: American Film Institute, 1984.

Dorenkamp, Angela G., et al. Images of Women in American Popular Culture. San Diego: Harcourt Brace Jovanovich, 1985.

Douglas, Susan and Meredith W. Michaels. The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women. New York, NY: Free Press, 2004.

Erens, Patricia, ed. Issues in Feminist Film Criticism. Bloomington, IN: Indiana UP, 1990.

Erens, Patricia. Sexual Stratagems: The World of Women in Film. New York, NY: Horizon Press, 1979.

Faludi, Susan. Backlash: The Undeclared War Against American Women. New York, NY: Crown Publishers, Inc., 1991.

Gledhill, Christine, ed. Home Is Where The Heart Is: Studies in Melodrama and the Woman's Film. London, UK: British Film Institute, 1987.

Haskell, Molly. From Reverenece to Rape: The Treatment of Women in the Movies, 2nd ed. Baltimore, MD: Penguin Books, 1987.

Hebdige, Dick. Cut-n-mix: Culture, Identity, and Caribbean Music. New York, NY: Routledge, 1994.

Ingraham, Chrys. White Weddings: Romancing Heterosexuality in Popular Culture. New York, NY: Routledge, 1999.

Kali for Women. Truth Tales: Contemporary Stories by Women Writers of India. New York, NY: The Feminist Press at the City University of New York, 1990.

Kaplan, E. Ann. Women & Film: Both Sides of the Camera. New York, NY: Methuen, 1983.

Kaplan, E. Ann, ed. Women in Film Noir. London, UK: BFI, 1980.

Kappeler, Susanne. The Pornography of Representation. Minneapolis, MN: University of Minnesota, 1986.

Kay, Karyn, and Gerald Peary, eds. Women and the Cinema: A Critical Anthology. New York, NY: E.P. Dutton, 1977.

Kuhn, Annette. The Power of The Image: Essays on Representation and Sexuality. Boston, MA: Routledge & Kegan Paul, 1985.

Levy, Ariel. Female Chauvinist Pigs: Women and the Rise of Raunch Culture. New York, NY: Free Press, 2005.

Loos, Anita. Kiss Hollywood Good-By. New York, NY: Viking, 1974.

Mayne, Judith. The Woman at the Keyhole: Feminism and Women's Cinema. Bloomington, IN: Indiana UP, 1990.

McCracken, Ellen. Decoding Women’s Magazines: From Mademoiselle to Ms. New York, NY: ST. Martin’s Press, 1993.

Modleski, Tania. The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York, NY: Methuen, 1988.

Mulvey, Laura. Visual and Other Pleasures. Bloomington, IN: Indiana UP, 1989.

Norris, Pippa, ed. Women, Media and Politics. New York, NY: Oxford UP, 1997.

O’Connor, John E. Teaching History with Film and Television. Washington, D.C.: American Historical Association, 1987.

Pearson, Judy Cornelia, Lynn H. Turner and William Todd-Mancillas. Gender and Communication. 2nd ed. Dubuque, IA: Wm. C. Brown Publishers, 1991.

Penley, Constance, ed. Feminism and Film Theory. New York, NY: Routledge, 1988.

Pribram, Deidre, ed. Female Spectators: Looking at Film and Television. New York, NY: Verso, 1988.

Rosen, Marjorie. Popcorn Venus: Women, Movies and the American Dream. New York, NY: Avon, 1974.

Schwichtenberg, Cathy. The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory. Boulder, CO: Westview, 1993.

United Nations Fourth World Conference on Women: National Report of Ireland. Dublin, IR: Govt. of Ireland, 1994.

Walker, Janet. Couching Resistance: Women, Film, and Psychoanalytic Psychiatry. Minneapolis, MN: University of Minnesota, 1993.

Wide Angle: A Film Quarterly of Theory, Criticism, and Practice. "Sexual Difference" (vol. 5, no. 1). Athens, OH: Ohio UP, 1982.

Wide Angle: A Film Quarterly of Theory, Criticism, and Practice. "Feminism and Film" (vol. 6, no. 3). Athens, OH: Ohio UP, 1984.

Williams, Linda. Hard Core: Power, Pleasure, and the "Frenzy of the Visible." Berkley, CA: University of California, 1989.

Wood, Julia T. Gendered Lives: Communication, Gender, and Culture. Belmont, CA: Wadsworth Publishing, 1994.